Screen Cultures: On Archiving, Collective Memory, and the Mainstream Cinematic Culture
Abstract
This paper explores the relationship between film and the creation of historical memory. By looking at examples from films that talk about World War II, and later exemplified by Christopher Nolan’s 2014 film Interstellar, I try to exemplify the complex role mass distributed films have in creating opinions about historic events and their collective understanding. Once this role is recognized, this paper develops as an approach to further understand what is necessary to create a new paradigm of what it means to be literate in a world where screens are quickly becoming the main platform for communication.
Full Text: PDF DOI: 10.15640/rah.v4n2a2
Abstract
This paper explores the relationship between film and the creation of historical memory. By looking at examples from films that talk about World War II, and later exemplified by Christopher Nolan’s 2014 film Interstellar, I try to exemplify the complex role mass distributed films have in creating opinions about historic events and their collective understanding. Once this role is recognized, this paper develops as an approach to further understand what is necessary to create a new paradigm of what it means to be literate in a world where screens are quickly becoming the main platform for communication.
Full Text: PDF DOI: 10.15640/rah.v4n2a2
Browse Journals
Journal Policies
Information
Useful Links
- Call for Papers
- Submit Your Paper
- Publish in Your Native Language
- Subscribe the Journal
- Frequently Asked Questions
- Contact the Executive Editor
- Recommend this Journal to Librarian
- View the Current Issue
- View the Previous Issues
- Recommend this Journal to Friends
- Recommend a Special Issue
- Comment on the Journal
- Publish the Conference Proceedings
Latest Activities
Resources
Visiting Status
![]() |
100 |
![]() |
316 |
![]() |
5006 |
![]() |
6860 |
![]() |
1102767 |
![]() |
18 |